Stained glass windows ottawa

Studio Ghibli - Totoro - mailing cards - glass stained window. Purchased at Studio Ghibli in Japan. Thank you. Stained Glass Shade. This is a vintage stained glass Tiffany style lampshade Extra large Excellent condition Like New.

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Our Process We can add glass to your existing door in about an hour! STEP 1 After contacting us to discuss your project, we will schedule an appointment to go to your home with our mobile showroom. STEP 2 We will provide a complimentary design consultation during which we explore with you the ideas, possibilities and solutions for your specific needs. In Ottawa, the reception was reportedly more ambivalent, perhaps because the window was such a departure from the accepted, mostly decorative, aesthetics of the time.

In the Ottawa Window, Ged des marshals a company of over figures — soldier saints, mythical martyrs, holy archangels, Arthurian knights and mourning women — into a tableau that memorializes the soldiers as successors in a long line of Christian military heroes.

It is, one could argue, an awkward artwork for the altar of a church, considering the privileged place in heaven it affords to participants of war. The only depiction of Jesus, Clunie notes, is a relatively miniscule crucifix near the centre of the composition, hovering in a blue glow between the heads of two life-sized Roman soldiers. But for Clunie, this crucifix is an interpretive key that unlocks the meaning of the window.

The soldiers, the heroes, the knights — they represent the ways of this world. The crucifix, on the other hand, represents the peaceful power of God that will overcome them. On Remembrance Day, Clunie preaches this interpretation of the window, urging his congregation not to buy into the myth of heroic violence the window appears to affirm.

Instead, he encourages viewers to train themselves upon the Christ figure. And the congregation, Clunie says, has become more proud of the window. Students of art history — dozens a year, according to the parish administrator — regularly visit to see this important work first-hand. Supporters believed stained glass creators ought to be craftspeople as well as artists, intimately connected to their raw materials, leaders in the manufacturing process and free to pursue their creative instincts.

Geddes lived up to this vision, spending much of her adult life designing and assembling windows in workshops in Dublin and London before she died in at the age of